Documentary about film school and film students in Thailand.

WHEN I WAS YOUNG I SAID I WOULD BE HAPPY is a feature length documentary about the transformation achieved by 12 orphan genocide survivors in Rwanda after participating in a new form of sustainable humanitarian aid called Project LIGHT. Using a train the trainer model, these young people called Ambassadors, were trained to heal their Post Traumatic Stress Disorder (PTSD) and their hearts as well as teach others to do the same. In only two short years they paid forward their healing to hundreds, from Rwanda to Sandy Hook, Connecticut.

一位成功的音乐经纪人回到家乡，以获取他高中女友创作的一首圣诞情歌的版权。

暂无剧情简介

September 1977. The Japanese man speaks in halting English; the Bangladeshi negotiator, with the clipped confidence of an army officer. A color scheme suggests order in the exchange: green, red, and the occasional white. But underneath the schema of a dark screen-subtitle sans image-lies a waiting unraveling. The Japanese Red Army had attached to the Palestinian cause, and through that to an idea of global pan-Arabism. But the high-value hostage turned out to be an Armenian banker from California, and the Democratic Party Congressman on honeymoon negotiated a call to the White House, only to be greeted by Jimmy Carter's answering service. The hostage terrain was not an "Islamic Republic," as the hijackers thought, but a turbulent new country ricocheting between polarities and imploding in the process. Two years earlier, the country had gone through a trio of military coups, decimating, in turn, the country's founder and Prime Minister Mujibur Rahman, his family, a group of freedom-fighter army officers, and finally, a Leftist insurgency group within the army. Instead of being the willing platform for the Japanese Red Army's ideas of "Third World revolution," the actual Third World hit back in unexpected ways, turning the hijackers into helpless witnesses. The lead negotiator, code name "Dankesu," says with baffled understatement and halting English: "I understand you have some internal problems." An eight-year-old watches the television screen with growing confusion-the screen shows an unmoving control tower for hours on end, and he wants his favorite show to start again. United Red Army premiered at the Sharjah Biennial in 2011. Sarinah Masukor described the film's structure, specifically the archival images, as "ever on the verge of collapsing into abstraction, their materiality performs the indeterminacy of the event they record" (West Space). The film is in the collections of the Tate Modern Museum (UK) and the Kiran Nadar Museum (India).

Max goes on a date with another guy, Tadas, whom he met online. Max feels uncomfortable and timid so Tadas decides to act on his own initiative. He tries to get to know Max as they embark on a night ride around the city but Max is evasive to talk about himself. Max feels torn between his feelings and Tadas' pressure. Eventually he breaks down and reveals his true identity.

A humble Milanese window-cleaner with dreams of magazine and TV fame accuses himself of the murder of a soprano from La Scala.

In Panamá City, a man stalks a well-to-do adolescent, without knowing that she is the daughter he procreated when he raped a woman.

Dhananjay enjoys recounting stories from his childhood when it slowly starts to dawn on him how they may have affected his mum.

在一部关于电影选角的搞怪影片中，探讨了真实性与表演之间的冲突。影片里，一群英国人来参加一场电影的选角，而这场电影正是我们正在观看的这部。形形色色的人物齐聚一堂，矛盾的是，他们都希望能出演以自己为原型的角色。他们在这场奇特的选角过程中，要面对的是展现真实的自我，还是进行一场精彩的表演。